Válogatott gyilkosok

A film hosszabbnak tűnik, mint amilyen valójában, köszönhetően cselekménybővítéseknek a második felében. De az jobb, mint a lapos és unalmas első rész, köszönhetően Owen karakterének nagyobb szerepvállalásának. Owen nélkül, aki Statham méltó ellenfele, sajnos kezdetben egy kicsit akadozik. De Niro jelenléte inkább ikonikus. Statham karakterét egy fura gumicsizmás szőkével próbálják emberivé megformálni, de az felesleges időhúzás. Akciójelenetek szokványosak. Old-school hangulat OK, McKendry egyértelműen a Frankenheimer rajongója. (2011.10.17)

Compared to the trailers, it's quite a decent bit of entertainment, which is surprisingly brought down by not being as dumb as it originally looked. However, the grafting of a tangled plot, with political intrigue in the background, onto a through-and-through B-movie concept, brings down the impressions quite dramatically, although in each position separately the film is quite decent. Statham's physical abilities have once again found proper use for once, and De Niro is finally in a role that suits him after a hell of a long time. In the end, we are left with a decent silly film that doesn't completely offend but also leaves us with a slightly awkward impression from the two-hour runtime. (2011.11.15)

When something looks and functions like a B-movie, then it is a B-movie. The concept could have been handled more seriously and could have resulted in a significant sociopolitical drama in the style of Paul Greengrass' works, but Gary McKendry chose the path of pure entertainment. Killer Elite is one of the few cases where I not only don't mind the genre definition of a B-action film, but I also actually quite enjoy it. The solid cast also plays a part in that, with Jason Statham capable of delivering a performance and Clive Owen being at the top of his game. The title represents essentially the same thing to me as, say, Commando does to someone else (which would be unbearably dull for me). I enjoyed the battle between mercenaries and members of the elite British SAS, and for that, I will reward it with a 75% overall impression. (2015.10.07)

Appearances are deceitful, Killer Elite is indeed pleasantly old-school (raw image, 80s), but it is not nearly as dynamic as I would have expected from Statham, nor is it as kinetic in terms of action as I would have wished for (the main fight between Owen and Statham is boring, only the editing is good, it lacks physicality, the punches don't hurt), there is a lack of blood, a lack of toughness and naturalism. The polished image and filters are not enough. De Niro is okay, it's a shame he has little screen time. The lady with the horses is quite irritating, I don't understand how she was taken so seriously. Similarly, some of visual effects (bullet in the hair like in Drive, etc.), borrowed from elsewhere, are just unfortunate. Hardly average. (2011.12.23)

You say there's no afterlife? John Frankenheimer may have died ten years ago, but in 2011 we got Killer Elite, a film that is Frankenheimerian in every way. I don't know if Gary McKendry summoned his ghost to help him, or if Frankenheimer reincarnated himself into him (only future films will tell), but it doesn't really matter. The main thing is that the action is there, and that it is realistic, gritty, non-digital, and non-slow-motion. For example, I haven't seen such a nice fight as Statham and Owen's hospital scene in a long time, and when I add to that the fact that it was preceded and followed by a number of other treats (the chase in Oman, the London car chase, all the scenes with the elimination of the SAS members, Statham chained to a chair, the perfect finale), the likes of which have not been seen here (except perhaps in Craig's Bond films) for a very long time. I can't be dissatisfied with this. The central acting trio was a delight and I was especially happy that Robert De Niro didn't just get some cheap shtick, but a pretty big role. The only shame was the script, which could have forgiven the storyline with Statham's girlfriend and not tried to be so serious and subtle (2012.02.03)

When someone has such aces in their hands, like Jason Statham, Clive Owen, but primarily Robert De Niro, it must take talent to not make something worthwhile out of it. Gary McKendry showed that such potential can easily be killed, without even batting an eye. Well, he had a story in his hands that wants to present itself as a political thriller with lots of killers, but in reality, it's a shooter set in the 80s, which one can basically only tell by the fact that most guys have a mustache or heavily overgrown sideburns. However, I still think that the director should be there to give it some juice if he finds it boring. McKendry obviously refused to put more into the film than necessary. He chose great actors, made a few nice scenes, especially action scenes, but everything drowned in a single plotline that completely lacks twists. I basically saw the film as a flatline that appears on the monitor when a patient dies. At first, it may have seemed like defibrillation would work, but in the end, the doctors had to confirm that the patient was dead and nothing would help him. It only remained to cover him with a blanket and record the time of death. What a pity. Robert De Niro has several great scenes. More: http://www.filmovy-denik.cz/2012/07/runaways-rok-jedna-nedotknutelni-johnny.html (2013.02.22)