Ízek, imák, szerelmek

  • Egyesült Államok Eat, Pray, Love
Előzetes 1

Tartalmak(1)

Liznek (Julia Roberts) mindene megvan, amiről csak egy nő álmodhat: férj, ház, sikeres írói karrier. Ám ő mégis boldogtalan. Hirtelen elhatározásból elköltözik otthonról, és kilép a házasságból. Viszonyt kezd egy nála jóval fiatalabb színésszel, Daviddel (James Franco). De igazából ez sem elégíti ki. Úgy érzi, levegőváltozásra van szüksége, ezért világkörüli útra indul. Olaszországban felfedezi az élet örömeit, Indiában a szellemét és a lelkét ápolja, mígnem Bali szigetén megtalálja a belső egyensúlyát. Ráadásul találkozik Felipével (Javier Bardem), a bohém brazillal. (SuperTV2)

(több)

Videók (2)

Előzetes 1

Recenziók (3)

kaylin 

az összes felhasználói recenzió

angol This is a stupid movie about faith and philosophy. This is a silly movie about food, even though it sometimes tries to have food shots in it. But they're not outstanding. And worst of all, this is a pretty dumb and boring drawn-out romance where you'll still feel like the heroine didn't really learn anything. I found Julia very annoying here. ()

Pethushka 

az összes felhasználói recenzió

angol A profound and sensual film. When there was eating I drooled, when there was meditating I relaxed, and when there was love... pretty much nothing. Sadly, not enough love in it all. But Julia found love for herself... nice, relaxed, maybe a new direction. ()

Hirdetés

NinadeL 

az összes felhasználói recenzió

angol Eat, Pray, Love is the personal story of Elizabeth Gilbert, who just didn't want to live by the mold and finally admitted it and did something about it. That's such an unpopular starting point that it's clear that it can't be a film loved by everyone because some of the stories simply hurt. Whether it’s because you have a similar fate or a friend who should finally get off her ass and do something similar, even if it doesn't mean driving to the ends of the earth. The book is excruciating in places because it's really just the flow of the main character's thoughts as she radically changes her life at the last possible moment. She's self-centered, but of course only within the necessity of her instinct for self-preservation. Thanks to Julia, the film is quite an entertaining probe into the mind of a much more universal protagonist, if only because the face of Julia has long belonged to so many different protagonists, with whom we have subconsciously identified for so many years. Most importantly, who else can eat spaghetti as sensuously as she can, with that huge mouth of hers? ()

Galéria (65)