Trónok harca - Season 8 (2019) (évad)


A hosszú éjszaka (S08E03)

(epizód)
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Deresben felsorakoztak a szövetségesek, a vörös papnő, Melisandre is visszatér, hogy megacélozza az élők fegyvereit. A holtak seregével való csata váltakozó sikerrel zajlik, Havas Jonnak és Daenerysnek sikerül az Éjkirályt elválasztaniuk a feltámasztott Viseriontól, azonban közben a holtak áttörik Deres falait, és Arya alig tud elbújni előlük. Az öldöklő éjszakai küzdelemben számos régi ismerős hullik el a csapások alatt. Miközben Havas Jon Viserionnal küzd, Arya szembenéz az Éjkirállyal. (HBO Europe)

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Necrotongue Boo!

az összes felhasználói recenzió (ehhez a tévésorozathoz)

angol Dynamic duo Benioff/Weiss once again presented their concept of warfare tactics to the audience, and this time I almost cried out of despair. I won't go into all the nonsense they brought into the battle frenzy, as KM Phoenix has already thoroughly analyzed it. I will only state that the entire battle gave me an experience comparable to a midnight fight between rival African-American gangs in a tunnel (I occasionally caught a glimpse of white, and sometimes teeth would flash). I think the screenwriters would have done better if, after the battle, two guards met on the walls and exchanged sentences such as: "That was quite a battle yesterday, wasn't it?" "Oh, definitely! And did you see how they slaughtered the Dothraki right at the beginning?" Well, it could go on like this for an hour, and I would have a much better understanding of what was happening. I hope there will be some clarification in the fourth episode because I have a feeling that some long-serving characters have died, but due to inadequate lighting, I'm not certain. ()

Kaka 

az összes felhasználói recenzió (ehhez a tévésorozathoz)

angol Top of the range stuff. Those whining about how dark it is shouldn’t be taken seriously, either they watched it on a crap screen, or a tablet on a train ride, where it's obviously not quite the same, or they don't understand the fundamental concept of this episode, because the darkness is what it’s all about. It is, after all, about the Night King, the ultimate evil, and it’s hard to imagine him stumbling across the plain at lunch time. So, in a nutshell, we can talk about the odd military missteps, the illogical or perhaps completely dim-witted moments, but the point still stands that it's got balls, it holds together like few things, and there are so many over-the-top moments that there's basically nothing to complain about. Especially assuming that as a fan of the series you care about specific figures, because nobody’s fate is clear in that dark slaughterhouse, and the creators actually leave all the possibilities open until the last moment. Yes, The Battle of Bastards was clearer, more refined and smoother, but here the enemy is in a completely different league. There are things that could have been done better, but 80 high-octane minutes like this only come around a few times a decade. ()

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