Mielőtt meghaltam

Független amerikai filmművészet a Las Vegas, végállomás vagy A fiúk nem sírnak filmek fajtájából, ami egy érdekes kívülálló karakterre és bravúros színészi játékra épít. Lebilincselő filmes élmény, amely magával ragad, és a néző kíváncsian falja az egyes jeleneteket, melyek részletesen feltárják a főszereplő személyiségét. McConaughey által alakított Ron Woodroof átalakulása arrogáns, soviniszta bunkóból megértő és kétségbeesett, de soha fel nem adó harcossá, aki nem csak a saját életéért harcol, számomra az utóbbi évek legerősebb karaktertanulmánya. A filmkészítők szerények, minimalisták, nem hagyatkoznak színészi különcségekre, technikai és vizuális fejlesztésekre, csak arra koncentrálnak, hogy a legklasszikusabb eszközökkel meséljék el a történetet. A téma nyílt és érzékeny megközelítésével. Fantasztikusan megírva és rendezve. Woodroof erkölcsileg Jordan Belfort pontos ellentéte, és attól tartok, hogy Akadémiánál Leonardónak nincs esélye Matthew-el szemben. (2014.01.29)

How to live with HIV, not giving in to anyone or anything, cursing and going all out until the very end. Matthew McConaughey refuses to cry or laugh superficially and takes it head-on through all obstacles, even when it could be the last day of his life. And today could quite possibly be that last day. A sincere drama that is most lovable precisely because, just like the main character, it remains true to itself the entire time. (2014.01.20)

Ron Woodroof is a worker and a rodeo fan, but above all, a lover of life who knows how to enjoy it and doesn't deny himself anything. Drugs are easily available, the alcohol flows freely, and the girls who hover around the rodeo riders are usually willing to spend a pleasant moment in a trailer, entertaining their admirers and dispelling boredom. It's the early 80s, the time of the oil shocks, the bitterness of the Vietnam defeat, and civil activism are gone. The era of Reaganomics, yuppies, and newfound confidence has arrived. Nothing is impossible, and the motto of the day is fun. Like a bolt out of the blue, the news of Ron's AIDS diagnosis hits him after an injury. According to the doctors' experience, he has only 30 days left to live. His previous lifestyle and all the values he held dear are suddenly gone. But instead of passively waiting for death, he decides to fight it. Not only with the disease but also with the system that dislikes those who stand out and seek alternative paths. Ron becomes an advocate for unapproved treatment methods and unauthorized drugs. The initial 30 days turn into hundreds and then many years. The approach to AIDS changes, society changes, and the hero of the story changes too. From a southern roughneck and homophobic man, he becomes someone who understands the necessity of tolerance and can navigate among members of sexual minorities. Dallas Buyers Club is a drama based on a powerful story and a controversial, unforgettable main character. I would say that by choosing the unpleasant theme of human suffering and death, an unattractive storytelling style (sentimentality could have been used more prominently or cynical black humor), and above all, the performances of Matthew McConaughey and Jared Leto in the main and supporting male roles, Dallas Buyers Club ranks among the most significant films of the season. I have heard it said about American actors that they are willing to undergo practically anything for the sake of a role and reputation, and McConaughey proves that this is true. From a pretty boy who recently charmed in romantic comedies, he has transformed into a walking advertisement for a crematorium, where you could count every rib on his chest on the spot, and whose determined eyes still blaze from his gaunt face marked by stress. This is, without exaggeration, an outstanding acting performance worthy of an Oscar. Overall impression: 90%. (2014.02.19)

This is actually some proper film-making craftsmanship. Matthew delivers an almost perfect acting performance and Jared Leto has no problems keeping up with him. They both play people infected with the HIV virus. But they don’t merely portray them, they truly experience the characters. Matthew is getting skinny right before our very eyes. And Jared, skinny as he already is, changes the color of his skin in a pretty scary manner. I tip my hat off to them for this. With Jared, I’m really fascinated by how far he is willing to go. Since he is a singer, I don’t think he can afford to change his body weight so radically. I’d really love to know whether this affected his musical career in any way. If nothing else, he proves what an actor he truly is. If I was on the Oscars committee, I would have a clear idea of whom to give the golden statues. Matthew proved in 2013 just what good an actor he is and Jared put on such a show that if I were to see him in another movie, I’d think that he’s crazy. But as I said… a tip of my hat. You will find the story repulsive at first, gradually, you will notice the changes in the way the characters act. And these individual moments will keep on piling up until you get to the ending and you will realize that you won’t get to see such radical a transformation in many movies. (2014.02.05)

-Thank You. -Fuck off! Breaking Good? Not entirely. Dallas Buyers Club is surprisingly not an emotionally manipulative drama about the belated awakening of a homophobe. It is rather a sober film – in terms of both form and content – that instead of glorifying Woodroof, admits that this cowboy did not deserve any exaggerated compassion even after he contracted AIDS. The effort taken to not harp on the protagonist’s suffering and to simply depict him corresponds to the objectiveness of the form (filming without additional artificial lighting, documentary-style asymmetrical shot compositions, non-evocative use of music). If the film isn’t emotionally cold,  that’s particularly due to the gaunt McConaughey, who lost approximately 20 kilos for his role as Woodroof. Even though he plays only a shadow of his heroes from other films, he never loses the sparkle in his eye. The way that he combines inordinate self-confidence, blatant impudence and admirable tenacity makes the protagonist an ideal campaigner against the (medical) establishment, which expects nothing more from its nemesis, who personifies the indomitable nature of American ambition, than the fact that he will soon die. Also fascinating especially for his physical transformation is Jared Leto, whose scenes with McConaughey are remotely reminiscent of Midnight Cowboy, another film that didn’t take itself too seriously and, on the other hand, neither revelled in its serious subject matter nor trivialised it. 75% (2014.01.10)