Rendező:
Paul GreengrassOperatőr:
Oliver WoodZeneszerző:
John PowellSzereplők:
Matt Damon, Julia Stiles, David Strathairn, Scott Glenn, Paddy Considine, Edgar Ramirez, Albert Finney, Joan Allen, Tom Gallop, Corey Johnson (több)Streaming (4)
Tartalmak(1)
Csak el akart tűnni. Ám ehelyett Jason Bourne-ra azok vadásznak, akik olyanná tették, amilyen. Elvesztette az emlékeit és az egyetlen embert, akit szeretett. Nem riasztja a golyók zápora és a magasan képzett gyilkosok új nemzedéke sem. Egyetlen célja van: visszamenni a kezdetekig és kideríteni, ki is ő valójában. A kémsorozat legújabb fejezetében Bourne becserkészi a múltját, hogy meglelje a jövőjét. Moszkván, Párizson, Londonon, Tangeren és New York Cityn keresztül vezet az útja az igazi Jason Bourne felé, miközben megpróbálja kicselezni a zsarukat, szövetségi nyomozókat és Interpol ügynököket, akik már célba vették. (UIP-Duna Film)
(több)Videók (5)
Recenziók (16)
"I remember... I remember everything." Things have come a full circle, and Matt Damon is silent as a stone again and David Webb, alias Jason Bourne, returns to the movie theaters for a third time. The third Bourne isn’t any better than the second one. But I should add that it isn’t even a tiny bit worse. It has a little more action, unlike its older brother, it has a proper ending, again has incredible pace like few other pictures in this genre, gripping action, outstanding actors, excellent technical aspects, loads of scenes where the stunt-people must have really sweated, tons of ideas and... and qualities in all areas that are hard to describe. One almost insignificant problem can be found here. It’s that Greengrass’ version of Jason Bourne sometimes steals from itself. But who cares when it swallows you whole and doesn’t let you go until long after the movie ends. Although Ethan Hunt and even James Bond in his new guise follow the track beaten out by the second Bourne, despite both being extremely high quality, they remain deep in his shadow. And this ultimate experience does nothing to change that. Thank god. ♫ OST score: 4/5
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Well, let's not mince words, there hasn't been such a dynamic and smart action film for many years. If with Die Hard 4 we were talking about "inventive action", compared to the final part of the Bourne trilogy Len Wiseman, it looks like a small town geezer talking about the perpetual motion machine with a rabbit poop drive, while Paul Greengrass is an elegant and sophisticated Thomas Alva Edison. I may have missed a more sophisticated script, as with the first two episodes, but I was still fascinated with Bourne's thoughtful actions, always one step ahead of his pursuers. I have no doubt that the Bourne trilogy will go down in the Hall of Fame of cinema history.
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The beginning gets going in just the way we expect from the director. Greengrass "only" continues the ride kicked off by the second installment, but more observant viewers will realize this by a third of the way through at the latest. Yet the mix of feelings about a flywheel that perhaps has nothing to offer is swept away by the action in Morocco, which turns it up to 120%, moving furiously across continents to nail the viewer into their seat in breathtaking action and plot twists revealing Jason's past. The whole world was expecting it, but the result pushes all expectations beyond imagination. And while we will all (deservedly) praise Greengrass for the fact that action thrillers will have their most synonymous character in Jason Bourne for a few years to come, let's finally kneel before Matt Damon. After all, it's only during the third time that we can fully realize that he’s the one who actually "made" the role.
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A complete and unrivaled ride, which does take ideas from the previous two films, but it tightens everything ad absurdum. Greengrass could lecture on dynamic and civilian directing, and Matt Damon is DEFINITIVELY Jason Bourne. Without a doubt, he blended in perfectly with his torn figure, and here and there is the uneven feeling from Liman's "pilot". If we are talking about what a modern and intelligent thriller of the present should be, then all we have to do is play The Bourne Ultimatum from start to finish. It's a film where a) you won’t exhale, and b) you won't remember that you have already seen all this before. Simply because it's so great, it’s not a good idea to take into account the previous attempts at all.
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Excellent conlusion to Jason’s story. It has the most thrilling action of all the Bourne series, Greengrass has made one of the best action films ever. With his frantic but well arranged style he would be able to turn a conversation with an old man over a cup of tea into a monumental action sequence. The Bourne Ultimatum moves forward at very high speed and without a single quiet moment, demanding a lot of focus from the viewer. It’s not very intellectual stuff, but if you stop paying attention for only a moment, you won’t know who is doing what and why, this is how fast this film is. I’m fully satisfied.
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