Tartalmak(1)
The two men have been friends for many years, and Pollack completed the film over a period of five years, starting in 2000. Frank Gehry loves to sketch; it is the beginning of his architectural process. And it is his love of the sketch that gave Pollack his first clues to the style of this documentary film. Beginning with Gehrys own original sketches for each major project, the film explores Gehrys process of turning these abstract drawings, first into tangible, three-dimensional models, often made simply of cardboard and scotch tape, then into finished buildings of titanium and glass, concrete and steel, wood and stone. The dialogue between Pollack and Gehry, as intimate as that of any two friends of long standing, courses like a continuous melodic line through the film. (forgalmazó hivatalos szövege)
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