Motel

Engem nem zavart Szlovákia ábrázolása, ellenkezőleg, őszintén szórakoztatott. De eléggé meglepett, hogy milyen végterméket csomagolták be egy kampányba, menő plakátokkal, a "Quentin Tarantino Presents" szlogennel és kezdő 20 millió dolláros bevétellel az Egyesült Államokban. A Motel filmet egy átlagos szlovák rendező is elkészítette volna ugyanilyen minőségben, tízszer kisebb költségvetéssel. Egyes jelenetek úgy követik egymást, mintha csak improvizálás lenne, forgatókönyv nélkül. A hangulat nulla, a fokozatosságot megöli az unalmas kiszámíthatóság. Nagyon sokáig várunk a kegyetlenségi jelenetekre, amelyekből egyébként jóval kevesebb van, mint ígérték. Az ilyen filmek a 80-as években futószalagon készültek, és ma már senki nem emlékszik rájuk. A történelem ismétlődik. A Motel film egyetlen előnye az, hogy mennyire kiemeli az olyan filmek rendezői és forgatókönyvírói minőségét, mint a Fűrész című film. (2006.01.28)

The depiction of Slovakia as a backwater can still be somewhat endured in peace, but I didn't quite understand what Eli Roth was playing at here. The overall meaning of this creation also didn't click with me. Was it meant to entertain? Shock? Maybe both, but it failed at either, as it is, in every aspect, among the worst things that have been produced in the past few years. The screenplay is nonexistent, the actors are wooden, and even the torture scenes weren't cool. There was plenty of blood, but hardly any fear or disgust. It's a mystery to me how Quentin Tarantino could have had a hand in this. Maybe drugs, maybe money, who knows. In any case, this poorly made, inconsistent, and stupidly directed travesty certainly doesn't deserve any good rating in any way. (2006.08.11)

As a ten-minute amateur movie, it would have worked, but as a feature-length movie it barely works at all. Nothing whatsoever happens for an hour; then there are a few minutes of decent fun (at least for the Czechoslovaks among us - the locations) and then again total boredom until the end credits. There is only one good scene in the whole movie, which is not enough... The characters are utterly bland, as are the actors, as is the directing. The only good moment is Miike’s cameo. (2007.02.13)

There is no doubt that we are in the realm of dumbfounded trash here. When I read these derogatory comments, where stinging remarks abound, I say to myself, how everything is relative, because the same users can effortlessly give a similar, and I dare say even worse film, five stars and a comment from which one feels the concept of a "guilty pleasure." Also worth mentioning is that Hostel by Eli Roth is a cult film overseas. On internet forums, teenagers who are horror fans drool over Hostel in delight. The distorted realities of Slovakia are of no concern to them, so while we get angry about obvious stupidity, we Central Europeans are willing to believe in cannibals in Texas or mutants in the deserts of the Midwest. Overall impression: 10%. (2011.05.30)

One of the biggest injustices on Filmbooster. Hostel is not a turning-point in modern horror, and if it wanted to be among the best of the genre, it would have to offer a lot more. That said, it is a slightly above-average film that has the misfortune of having been watched by people who shouldn’t watch this kind of stuff. If you expect being afraid or scared by an exploitation film, the problem is yours and not the film’s. (2007.08.14)