Neviditelný

Jaroslav Havlíček does not rotate in his grave, but he probably cannot resist the annoyed shaking of his head. Not that Bělka's concept of Hajn's villa lacks the appropriate discomfort and amazing camera work, which creates a perfectly creepy atmosphere with its "handheld" shots. However, what is lacking here is the adaptation of the characters. Such a character as Soňa accomplishes her key and carefully built psychological development in half an hour (not to mention that Jaroslava Tvrzníková simply is not Soňa...) and Petr Švajcar, even though Munzar portrays him excellently with his determined gaze, is mostly just an engineer with a few unfortunate life twists. His opportunistic part of the personality is missing a lot. When that fateful and complex tragedy was then shortened or even neglected in the finale, I had to admit to myself that this highly acclaimed television piece disappointed me. For those unfamiliar with the original, it may be an attractive spectacle, but I am unable to enjoy it. (2011.10.20)