Tartalmak(1)
Manoel de Oliveira's feature debut is an apposite illustration of the documentary tendencies in the director's early productions. His native town of Porto plays a key role in this story of the torments of childhood love, strongly engaging even for adult audiences. The shooting in exteriors using natural light and casting child non-actors is what de Oliveira has in common with the films by Vittorio De Sica and other Italian neorealist directors. (Summer Film School)
(több)Galéria (5)
nemzetközi, fesztivál és mások
![Aniki Bóbó - Plakátok](http://image.pmgstatic.com/cache/resized/w663/files/images/film/posters/157/841/157841396_ffa542.jpg)