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Patrick, a strange and lonely resident, lives in a mobile home at the back of an isolated caravan park. After a violent thunderstorm erupts, a mysterious young woman appears at his door, seeking shelter from the weather. The longer the night wears on and the more the young woman discovers about Patrick, the more difficult she finds it to leave. Soon she begins to question Patrick’s intentions, while Patrick begins to question his own grip on reality. (Umbrella Entertainment)
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Recenziók (3)
Kiválóan ábrázolt bizonytalanság pszichológiája, amikor egy lány, aki rossz időben belép egy idegen lakókocsiba, nem tudja, hogy a tulajdonos veszélyes-e vagy sem. Egy óráig tartó párbeszéd, amikor a páros egymást vizsgálja és várja a másik reakcióját, kiegészítve a lakókocsi nyikorgásával, hangos mennydörgés, szél és az eső hangjának kíséretében. A fickó furcsa, átláthatatlan és főként paranoiás. Ami bizonyos események után egy hallucinogén vadonba vezet, ahol a kiterített kártyák csak összezavarják a nézőt. Kár! [Sitges FF]
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Up until the final quarter, You’ll Never Find Me is a rather gripping and cleverly directed minimalistic psychological study of two characters whom fate has brought together in an isolated location and between whom nervous tension is skilfully built up over a long period of time. This is aided by solid work with darkness and editing, as well as the sounds of the storm raging outside. However, all of that is spoiled by the confusing denouement, which at the last moment attempts to weave together all of the motifs that have been broached and surprise or even shock viewers with new twists, but it comes off as too rushed and chaotic.
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A hilarious Australian psychological slow burner with two characters with one cabin and a violent storm, all with great cinematography, great acting, well-written dialogue, great music and a paranoid mystery atmosphere. I'm the last person to praise this kind of movie without jumpscars and gore, but I have to say that the third act won me over enough that I won't hesitate to give it 4 stars. I really like the themes where a stranger knocks at your door and you don’t know who is the good guy and who is the bad guy all the time, and it's really not transparent here. Even though the first hour is just dialogue in a cabin that makes up for the knocking on the door and a nasty storm, it works and kept my attention. It picks up nicely towards the end and kicks off with a decently intense atmospheric paranoid-hallucinogenic inferno, where the sound designer again does a precise job. An Australian gem that made an impression. 7/10.
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