The Fog
Rendező:
John CarpenterOperatőr:
Dean CundeyZeneszerző:
John CarpenterSzereplők:
Adrienne Barbeau, Jamie Lee Curtis, Janet Leigh, John Houseman, Tom Atkins, James Canning, Charles Cyphers, Hal Holbrook, Ty Mitchell, Tommy Lee Wallace (több)Streaming (1)
Tartalmak(1)
A kaliforniai tengerparti városkára lassan ráborul a tenger felől gomolygó köd. A félhomályból misztikus alakok bukkannak elő, a száz éve éppen ugyanitt szánt szándékkal tengerbe veszejtett hajó matrózainak képében. Azért jöttek, hogy egy ősi átok szellemében kegyetlen bosszút álljanak árulóik leszármazottain... Az Edgar Allan Poe kísértetes világát idéző klasszikus rémfilmet a műfaj nagymestere, John Carpenter (Halloween, A sötétség fejedelme) rendezte. (Film+)
(több)Recenziók (6)
A kiváló, feszültséggel teli bevezető után következik a rejtélyt felgöngyölítő előjáték. És minél közelebb vagyunk a feloldásához és a fináléhoz, annál kevésbé félünk. A köd film nagyon szépen lett leforgatva, szélesvásznú felvételekkel, korrekt Carpenter zenével és hangulattal, de hiányzik belőle a történet titokzatossága, ami megvolt a Halloween - A rémület éjszakája vagy A dolog filmekben. Hogy KIK ŐK és MIÉRT ÖLNEK, arra csak utalni kellett volna, nem pedig értelmetlen fikció formájában tálalni.
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I watched again after some years and I have to add a star. The script is pretty tragic, but the atmosphere is thicker than the fog itself :)
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In the dense fog so thick it could be cut, the shadowy figures walked by. Given that John Carpenter directed the film at a time when he truly excelled, it was enjoyable to watch. Like most of his films, Carpenter built The Fog on atmosphere and suspense. The simple plot (excellently introduced through an old sailor) is told in less than ninety minutes and doesn't lack anything that a proper good old "B" horror should have. The lack of character psychology is compensated by their diversity, and also by the uncertainty of who will be next and how many more are yet to come. Certainly, for some characters, survival can be predicted based on certain audience sympathies, while for others, the leper-like sailors might disappoint in their choices because, in such a quantity of characters, some would undoubtedly deserve to die more. Indeed, when you see the rolling fog with figures slowly walking, carrying a hook in their hand, you forget even the basic bodily needs to sustain life, such as a heartbeat or breathing. And because I felt so "comfortable" with the film, I'll throw in a fifth (though admittedly undeserved) star.
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Of course, the special effects used in this film have significantly aged and the theme is downright outdated, as if from the 1920s. However, Carpenter is a master of B-movie horror and can make the most out of very little. The film has atmosphere, and there are more jumpscares and tension-inducing scenes than in contemporary horror films filled with digital effects and that have decent budgets. A job well done, overall impression: 60%.
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Awesome horror - how little you need, right? Carpenter made do with fog that could be cut with a saber, six undead sailors, minimalist music... And with a talent for building tremendous tension. What happens during the opening credits is powerful, but the rest of the film doesn't particularly lag behind either. What I like most about The Fog, though, is its tone, because at the end everyone can be satisfied - the people of Antonio Bay and Blake's sailors. It's up to you who you cheer for.__P.S. I loved the last shot.
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Exactly the kind of horror I always welcome. The tension is so thick you could cut it, with mysterious characters appearing in an impenetrable and unstoppable fog, and a perfectly chosen score – simply John Carpenter at the peak of his game, having a proper and solid warm-up before the legendary The Thing. The story is nothing to write home about, but the disturbing aroma advancing together with the frightening fog cloud makes up for everything several times over :-) A horror classic that definitely deserves due respect...
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