Visa de censure n°X

Multi-layered texture transferred to the film screen (although I doubt that the film has ever been screened in any public movie theater), a psychedelic kaleidoscope of the author's eye under the influence of LSD (Clémenti was accused of possessing LSD and cocaine in Italy in 1972, and although he was eventually acquitted due to lack of evidence /after 17 months!/, there can be no doubt about the impact on his filmography from that time). In this case, the form clearly triumphs over the hallucinogenic content (or rather, the content is clearly suppressed by the hallucinogenic form), merging, and shattering into an endless flow of changing colors and subconscious images - the slogan "the power of imagination" is fully fulfilled. In addition, due to problems with Italian prisons, the film was in production until 1975, and thus the influence of the hippie lifestyle is even more evident on this film than on Clémenti's The Revolution is Only a Beginning: Let's Continue Fighting, especially through the use of music, which guides the viewers throughout the film on a journey full of spontaneous waves of liberated imagination and the aesthetic current of consciousness. (2015.04.14)