A texasi láncfűrészes

Tisztán felszínes, öncélú szórakoztatás. Marcus Nispel rendező inkább olyan videóklip rendező, aki képes látványosan megörökíteni nulla üzenetértékű dolgokat. Az operatőri munka és annak színszűrői David Fincherre emlékeztetnek, és a sötét zenével együtt hozzájárulnak a sűrű-komor hangulathoz. De a sztori fokozásának teljes hiánya, a nem működő ijesztgetések és a misztikum hiánya inkább az olcsó, hetvenes évekbeli tömegtermékek olasz gyártóira emlékeztet (pl. Joe D'Amato). Ráadásul a film nagyon undorító. A Hetedik című film a maga módján is undorító volt, de fellelkesített a fantasztikusan túlkombinált és kicsúcsosodott forgatókönyvvel és mély gondolattal. Ettől A texasi láncfűrészes filmtől undorodom, és úgy érzem magam, mint az egyik áldozata. (2004.01.16)

As a stand-alone contribution to the genre, it’s barely average; as the remake of the horror legend that kick started the genre and remains flawless, it’s awful. In the original, every decision of the characters and stylistic choice had an unshakable position in the overall system and the atmosphere; in this one, the characters behave very stupidly and the violence and most of the editing feel overly stylised, killing all the naturalism and the potential of the harsh Texan setting. Only the male audience will be in danger, because after seeing the scantily clad and sweaty Jessica Biel they may feel their pants very tight. That, plus some interesting ideas and the traditionally good Ermey are the only things worthy of attention. (2019.01.21)

At the moment when the camera goes through a hole in a bullet and it's neither cool nor impressive, but just unnecessarily disgusting, I should have realized that the whole movie would be like that. From minor gossip emerged a total disaster with relentlessly annoying characters, only one powerful scene, and one stolen Blair Witch. 30% (2006.04.25)

The bleakness of the backwoods setting, where you’d only stop if your car broke down could, be felt much more intensely in the original, but Nispel's film has a certain amount of atmosphere. The casting is pretty good, the representatives of the local rednecks and brutes are really disgusting and their appearance and behaviour adds to the film's impact. But while watching Hooper's original I felt horror, dismay and disgust at Leatherface's family, that panopticon of creepy creatures, Nispel's film didn't produce similarly intense feelings. Some scenes looked spectacular, but they were quite illogical, and the final chase did not avoid the clichés that have been repeated countless times. Leatherface in Hooper's film was a believable character, a weirdo with a rather perverted hobby; Nispel's swung his chainsaw too much, making his behaviour seem unnatural and out of touch with reality. I guess that's why I wasn't scared, there was no deeper experience and Nispel's film became in my eyes just one of many teenage slashers. (2004.07.17)

So: A chilling atmosphere, constant tension, ever-present fear... None of that is in the new Texas Chainsaw Massacre. One star was earned by the music, the other by the bright exceptions (about two scenes that really had something to them). An unnecessary remake. What struck me, however, is that the film is set in 1973, but you can't really tell. Odd. (2010.05.09)