Tartalmak(1)
Married woman, whose journey through the psychedelic English youth scene awakens her to the carnal offerings of an African-American man, all set to by a searing soundtrack by Freedom, a tripped-out group formed from the remnants of Procol Harum. Nearly plotless and often improvised, this undiscovered cult film distinctive tone and editing scheme anticipated everything in the following year releases of Nicolas Roeg Performance, Kubrick s A Clockwork Orange to our current post-MTV mindsets. Attraction succeeds not just as a series of kick-ass psych-rock clips, but as an abstract, dazzling expression of cinematic art. (forgalmazó hivatalos szövege)
(több)Recenziók (1)
Black and white, fantasy versus reality mixed in pop-art shades of advertising print colors for sexual satisfaction, which blurs their ontological and narratively film-like distinction into an infinitely unraveling loop of motion of the offset printing cylinder, which takes on shapes, situations, and images from the collective matrix of dreams and reprints them into the unconsciousness of the main protagonist, who instead of delving into the depths of her own unique satisfaction, wanders in the whirlpool of consumer crowds; the individual's imagination is captivated by the idea of others, who are either an obstacle to the protagonist’s gratification (the paranoid function of the camera by Tinto Brass, the multiplication of gazes, the menacing presence of uninvolved individuals) or an exaggerated key to the Desire station; however, since T. Williams' time, we know that the final destination of this tram is the cemetery. Therefore, after getting too close to the object of her desire, the protagonist alternates between the danger of a black man's skeleton and the bourgeois safety of her white symmetrical husband.
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Galéria (4)
Photo © Lion Film
