Sergei Loznitsa

Sergei Loznitsa studied mathematics and then moved on to film school in the 1990s. Even his very first artistically stylised documentaries placed him right up there among Europe's elite directors. His contemplative films, screened regularly at KVIFF, subtly and precisely conjure up the tangible essence of the Russian landscape (Landscape, 2003), of stagnation (The Train Stop, 2000) and, elsewhere, of archetypal industrial operations (Factory, 2004). Loznitsa's… (több)