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Rendező:
Lorenzo VigasForgatókönyvíró:
Lorenzo VigasOperatőr:
Sergio ArmstrongSzereplők:
Luis Silva, Alfredo Castro, Jericó Montilla, Catherina Cardozo, Jorge Luis Bosque, Greymer Acosta, Scarlett Jaimes, Ernesto CamposTartalmak(1)
Wealthy middle-aged Armando lures young men to his home with money. He doesn't want to touch, only watch from a strict distance. He also follows an elderly businessman with whom he seems to have had a traumatic relationship. Armando's first encounter with street thug Elder is violent, but this doesn't discourage the lonely man's fascination with the tough handsome teenager. Financial interest keeps Elder visiting him regularly and an unexpected intimacy emerges. But Armando's haunted past looms large, and Elder commits the ultimate act of affection on Armando's behalf. (Venice International Film Festival)
(több)Recenziók (3)
This film’s uncommunicative narrative doesn’t give us many answers, as it limits the information it provides about the central characters to what we are seeing. Doubts persist even after a plot twist at the end of the film that doesn’t answer questions regarding Armand’s and Elder’s motivations, but only raises more questions. Though the two actors, whose reactions often lead us to wonder who or what they are observing, turn in convincing performances, they neither help us understand the characters’ behaviour nor mitigate the reserved nature of the film, which is in large part due to the detached observational style of the long static shots, in which it is obvious how much care the director and cinematographer took with the compositions in terms of depth of field and keeping the actors at a certain distance from the lens. In the shots with Elder, for example, we see more things happening in the background, which corresponds to the young man’s greater interaction with the outside world. Conversely, Armand’s isolation from his surroundings is reinforced by shots that separate him from the surrounding space. Thanks particularly to the filmmaker’s clear, consistently followed concept, From Afar is a noteworthy study of two contrasting characters. However, it does not offer commentary about life in contemporary Venezuela, as a similar story could take place in practically any given city. Also, in its negligible consideration of the influence of the place and period on the protagonists’ behaviour, From Afar is too consistently minimalist for its own good. 65%
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An intriguing film that I mainly see as an opportunity to explore a different setting and understand the unique story of two men finding their own path together. One is older, the other too young. They have an intimate relationship with each other, but at the same time, they are each different. The environment helps a lot.
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The very good performances by the two leads and excellent cinematography kept my attention throughout the film. I don't know if it was the poor quality of the subtitles and their occasional absence, but it was quite difficult to navigate the actions of the main characters. Maybe it was also the slightly different mentality, which Venezuelans certainly have compared to us Europeans. The theme concerning the relationship between an older man, who certainly isn't lacking financially, and a young man, who is financially struggling, caught my attention. I am therefore inclined to give the film a weaker four stars.
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