Twin Peaks - Tűz, jöjj velem

I would like to use the words of the contemporary intellectual Karlos Vemola "I didn't get it, but it was great", but alas. David Lynch got lost in himself this time, he didn't advance the series or his filmmaking anywhere, he was just kind of showing off in a rather clumsy way, just like his role as the agent here when he yells at David Bowie. So to use Libor Matuška's words "I didn't get it and it left me completely cold". PS: I wonder how many filmmakers would normally get away with this if their name was not Lynch. (2024.02.10)

It’s quite a shame that the film doesn’t follow on the plot of the series, but deals the events that preceded it. Basically, it doesn’t bring in anything new, other than the chance to know Laura, which is no small thing as it completes the world of Twin Peaks, but that it would expand it in a way… no. The series is great, the film is just average (and below average for Lynch). PS: If you’re thinking of watching the series, avoid the film! It would spoil it. (2009.06.20)

David Lynch and his beloved town in exactly the form that I love the most. He returns to the roots, telling us what was before the beginning, yet he doses me with doses of Agent Cooper and the only thing that holds him back from the highest rating is an excessive amount of scenes with the Dwarf and his gang. I inevitably remain mesmerized by the Dwarf, but I still have not reached a satisfying point. First and foremost, however, is the challenge of the tragic story of that most famous local anti-heroine, whose fate I finally get to know from the first person perspective and I can mourn her thwarted life even more, as it is not just collective sadness. (2017.07.16)

This is a terrible mess. There are so many moments here that could work on their own, but then suddenly bang and you're confused because there are so many moments that can only work if you know the series. In the series, I loved the characters who were beautifully portrayed, even though they were odd. In the movie, there are more oddballs, but you don't have a connection with them anymore, they're just there to make it even more surreal than usual. Lynch managed to convince most of the TV series actors to return, but Donna, who has a fairly large number of scenes, didn't come back. It's also a shame that many scenes featuring actors from the series were cut from the film. These were probably less significant scenes, but it's a shame that this didn't make it into the first version. At least the fans might have felt a bit better about it. However, as I said, there are moments here that are simply worth it. Especially the story of Laura Palmer is incredibly intense here, although on the other hand, very brief. It's as if Lynch created a root of "Twin Peaks" and multiplied the result by a random coefficient, added a bit of "Industrial Symphony" and already had "Mulholland Drive" in mind. If Lynch focused only on the last week of Laura Palmer and nothing else - the rest, especially when it comes to the agents, is actually unnecessary, the result would be incredibly intense, just like the ending of this film, the death of Laura Palmer. (2014.03.10)