Tartalmak(1)
In this early short film, we see the furniture and clutter of one small room in an apartment become the subject of a moving still life-with Akerman herself staring back at us. This breakthrough formal experiment is the first film the director made in New York. (forgalmazó hivatalos szövege)
Recenziók (1)
This minimalist portrait of a single room draws attention to its own form and duration while blurring the distinctions between animate and inanimate objects. Chantal Akerman thus merges with her surroundings while lying in bed. The character’s sense of belonging to the environment around her is taken to the extreme in the director’s three-hour opus Jeanne Dielman. Like that film, La chambre benefits from the surprises brought about by the variation of regular rhythm and the disruption of a seemingly imperturbable order. The film’s biggest twist comes when the camera starts panning from left to right instead of tracing a circle. Thanks to the runtime, this is a tolerably long variation on Michael Snow’s La Région centrale, though it will be appreciated especially by lovers of parametric narration.
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