Rendező:
Mina DjukicForgatókönyvíró:
Mina DjukicOperatőr:
Djordje ArambašičSzereplők:
Hana Selimovic, Mladen Sovilj, Danijel Sike, Ivan Djordjevic, Branka Selic, Bojan Zirovic, Ivan Djordjevic, Aleksandra Pleskonjic-IlicStreaming (1)
Tartalmak(1)
As children, Leni and Lazar were best friends. They lived in a world of their own, with its rituals. Then Lazar left, and returned as a grown man. Leni now works as a pharmacist; she has brief affairs and doesn't know what to do with her life. Perhaps a little shared misbehaviour to break with convention will help the pair to bridge their years of separation. With no particular aim, and no rules, they take off on their bikes together, travelling through the sun-baked countryside to the sound of Serbian hits from long ago. They lark about, argue, make some mischief but, most of all, create confusion between themselves which not even the perceptive narrator can fathom during his regular interventions in the story. Director and producer Mina Đukić́'s feature film debut offers an impressionistic view of a relationship which, rather than words, is more about gestures and the shared experience of escaping the provincial tedium. The rebellious playfulness is supported by unusually sharp cuts, an imaginative narrative and incisive lensing. (Karlovy Vary International Film Festival)
(több)Recenziók (1)
Disobedient are the types of films in which there is no point in analyzing its characters or the plot. The plot in this film is practically non-existent - the simple story about a young Serbian couple trying to go against the grain and return to their childhood is made up of very isolated episodes. The central duo, on the other hand, consists of two not-very-sympathetic and unpredictable fools, who play a strange psychological game with each other without any rules. In the film, only the Balkan rural environment and the shaped body of the main protagonist are interesting. Otherwise, this poetic, emotional and aesthetic-image-based road movie on wheels is relatively useless and unfriendly for the viewer. For how simple a message the film communicates, it communicates it for a really long time and in an unattractive way.
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