Ray Donovan

Every time I praise something, it seems to backfire. I get that the eighth episode's topic might deeply affect some people, and I apologize in advance, but for me, it was pure agony. I'm not exactly living the dream myself (more like just getting by), so I watch movies and TV shows for entertainment, not to sit through a fifty-minute-long drawn-out suicide. It felt like boredom mixed with a heavy dose of emotional manipulation. (2019.04.03)

After the previous episode's letdown, the series got back on track, even though the creators couldn't proceed without throwing in some cancer drama. The story moved at a much faster pace and the plot was more engaging, so I wasn't bored at all. However, it did feel a bit odd that Maria wasn't mentioned at all. 3*+ (2019.04.04)

The episode wasn't perfect, but I was thrilled to finally see some developments that I actually enjoyed. It's amazing how much more engaging the show becomes when I'm not constantly checking the clock. (2019.04.04)

Just when I thought things were picking up, the show's pace unpleasantly slowed down. Maybe I would've been more forgiving if Bridget was even a little likable, but as it stands, it was a bit of a snooze. And the new twist between Brandon and Theresa didn't do much to improve things either. (2019.04.04)

Finally an episode I can praise. Things were happening non-stop, keeping me engaged the whole way through. I'll just ignore that rather obvious nod to MeToo. Overall, it's definitely the standout episode of the season for me. (2019.04.04)

What a psycho season. The slow-paced and lackluster story in the first half made me think I was wasting my time but the second half brought a significant improvement and the last four episodes only confirmed it. Although this season was far from perfect, it definitely beat the previous oncological nightmare. (2019.04.07)

This episode introduced a major change: the storyline moved to New York. That’s the only thing I’m sure about right now. I’m hesitant to make any judgments about the other developments just yet. For now, I’m sticking with three stars and waiting to see how the creators will impress me. (2019.04.05)

The story's pace wasn't sluggish, but it wasn't exactly gripping either. Ray's handling of the tricky situation was a highlight for me, but I can't say I'm thrilled about the return of that old plotline from the first season involving Brandon and Mickey. (2019.04.05)

The third episode felt like a really bad joke. Sure, there were some highlights, like Ray's attempt to sway a TV debate, but the rest? An escaped convict cruising from Los Angeles to New York without a soul batting an eyelid? Seriously? And let's not even get started on Jay's kidnapping. When night falls, it seems like the security for movie stars just vanishes into thin air. It's all a bit too much, to be honest. (2019.04.05)

There's definitely a noticeable improvement compared to the previous episode. I was even considering giving it four stars. But then came Terry. Ever since the first season, the creators have been drilling it into my head that the only Donovan with a screw loose is Brandon, and now this. Well, let's see how it all pans out... (2019.04.05)

Despite Bridget's occasionally grating presence and Ray's peculiar journey, I decided to bump up my rating to four stars. The plot managed to keep me entertained, particularly Ray's dealings with the political assignment. 4*- (2019.04.06)

The sixth episode showed promise, and I felt the creators did a much better job with the characters' emotions this time. But then, Mickey and Brandon stole the spotlight. The bus robbery scene, coupled with the lack of police response, left me disappointed. And when the same scenario played out during the bank robbery, I was downright frustrated. (2019.04.06)

The seventh episode was a fun ride for me. I dug how things heated up around Ray's political gig. It's cool to see Ray staying on top of his game amidst all the chaos, while others struggle to keep pace. Mickey, though, kind of soured things for me, the old man's escape from the policeman had me scratching my head. (2019.04.06)

Gotta say, the second half of the sixth season is shaping up way better than the first. Even this episode wasn't half bad, though I could've done without Bridget's tearjerker moment – but hey, that's just me not clicking with that character. (2019.04.06)

The ninth episode wasn't exactly flawless, but I chose to overlook the hiccups this time because, for the first time in the last two seasons, I thoroughly enjoyed the whole ride. It had momentum, kept me engaged throughout, and even Ray's face-to-face meeting with Bridget didn't bother me as much as I thought it would. (2019.04.07)

I'm not sure if it's a smart move for the creators to hold onto the best episodes until the last third. It could end up driving viewers away if they have to slog through boredom to get to the good stuff. But hey, I'm still here, and I gotta say, I was pretty darn satisfied with this episode. (2019.04.07)

I absolutely loved the blend of horror and black humor in this one, but I have to admit, Sandy got on my nerves a bit. I mean, Jake brings enough comedic relief to the table for me. Overall, though, the action was solid, the tension was real, and the atmosphere was on point. (2019.04.07)

The finale of Season 6 wrapped things up with a bit of a mixed bag for me. On one hand, that blood-soaked opening scene was intense, blending slaughter with cemetery vibes. But then, it took a sharp turn into this tender winter romance that felt a tad out of left field. The sudden reversal on Bridget's character arc felt a bit like the onset of real schizophrenia. (2019.04.07)