Tartalmak(1)
Thomas Steiner has plenty of experience with the filmic “development” of real and artifi cial landscapes. In Camping Cezanne , Steiner is once again at the interface between nature and art where he explores their mutual relativity over three sections/chapters. The landscape of Montagne St.Victoire gradually reveals itself over three parts stroke by stroke; just if watching a drawing in progress. (Anifilm)
(több)