Rendező:
Sherry HormannForgatókönyvíró:
Sherry HormannOperatőr:
Ken KelschZeneszerző:
Martin TodsharowSzereplők:
Liya Kebede, Sally Hawkins, Meera Syal, Lucrezia Phantazia, Craig Parkinson, Timothy Spall, Prashant Prabhakar, Anthony Mackie, Tim Seyfi (több)Tartalmak(1)
A szomáliai Waris Dirie a világ egyik legkeresettebb modellje az észak-afrikai sivatagból, egy nomád kecskepásztor családból jutott a divatlapok címlapjára és a fashion show-k kifutójára. Tizenhárom évesen szökött el otthonról egy rákényszerített házasság elöl, több napig bolyongott a sivatagban, amíg eljutott a fővárosba, Mogadishu-ba. Rokonai hamarosan továbbküldték Londonba, ahol szolgálóként dolgozott a Szomáliai Nagykövetségen, egész kamaszkorát bezárva, tanulatlanul leélve. Waris egy napon onnan is megszökve, hajléktalanként és illegális bevándorlóként sodródik az utcákon. A vagány bolti eladólány Marilyn befogadja és életre szóló barátságot kötnek. Egy gyorsétteremben vállal munkát, ahol a sztárfotós Terry Donaldson felfedezi ritka szépségét. A rámenős ügynök, Lucinda segítségével sikeres modell válik belőle. De Waris új élete, a csillogó glamour szívszorító sorsot takar, a gyönyörű lány nem tud szabadulni gyermekkori titkolt traumájától. Egy interjú során megelégeli, hogy folyton a Hamupipőke-mesét emlegetik karrierjével kapcsolatban és a világ elé tárja, hogy az a nap, amely valójában megváltoztatta az életét, az volt, amikor kisgyermekként nemi szerv csonkítást hajtottak végre rajta. Az interjú kirobbanó visszhangot kelt, élettörténete szimpátiát vív ki és társadalmi párbeszédet indít el. Waris elhatározza, életét annak szenteli, hogy ez ellen a barbár szokás ellen küzdjön. (Szuez Film)
(több)Videók (3)
Recenziók (5)
A story that is huge and scary and, unfortunately, true. I'm a fan of this film, mostly because it reveals a different slice of reality. I admire Waris Dirie endlessly and can't imagine the pain she must have gone through. A lot of emotion, pain, and fear came out of the film. Still, I think a story like this might have deserved better execution.
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I do not share the enthusiastic reception of the film, which is influenced both by the undeniable charm of Liya Kebede and by the sentimental story of how a poor girl from distant Somalia found happiness. In my opinion, the film lacks depth and an attempt to comprehensively examine the problems of third-world poverty and female genital mutilation. It allows the viewer to be shocked by the contrast between life in the drought-affected area of Africa and the consumerist gluttony of London, as well as the suffering of a girl forced to undergo female genital mutilation at a young age. However, it is all diluted by the fact that the rise of the heroine is made possible by the advertising and fashion industry, which are symbols of consumerism themselves. Of course, such a rise is only possible for a few chosen ones, and while the viewer is comforted by the happy ending, it does not change the fate of millions of other girls who do not have the necessary appearance. And I'm not even talking about the problem of female genital mutilation, because the film has no chance of influencing public opinion in countries where it is practiced. It lacks a deeper look into the problem, and it does not address any major drama or dilemmas. It only sponges on the mentioned problems and I consider it to be a certain kind of kitsch. Overall impression: 35%.
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I haven't read the book, but after seeing Desert Flower I'd like to remedy that because I liked it so much. While I don't usually admire models, Waris Dirie is probably the exception that proves the rule. Even though she probably isn't suffering much nowadays, she likely endured a lot during her childhood and adolescence, not only in relation to female genital mutilation. Besides the touching story written by life itself, I was also impressed by the performances of Liya Kebede and Sally Hawkins. Both of them played their roles perfectly. (85%)
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It’s the kind of biopic that you have to see because it is about the life around us compared to the life in Africa. Obviously, the authors didn’t disappoint and all the way from casting to the screenplay they put everything they had into the craft of cinematography. An interesting story about a very interesting personality of contemporary world.
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The film has such an interesting story, written by life itself, that it simply stands on its own. Fortunately, the acting is also very well done, so they managed to create something that has substance, and the necessary strong emotions are conveyed well. The romance here felt a bit unnecessary to me, but thankfully, it appears in small measure. This is very good.
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