The Commodity Catalogue

The film is the second part of a trilogy about representation, art and politics. In the previous film, The Signature of Certain Things (2022), the author dealt with the social role of art. In this essay, he encourages us to view images as commodities. But is it even possible to exclude art from this point of view? The very form of the film, which slyly follows the logic of commodified and multiplying images, becomes a hint to the answer. (Ji.hlava International Documentary Film Festival)