Tartalmak(1)
Brebbia’s film shot in his native town is a mix of footage from the historical core of Varese that has to give way shortly to new residential areas and building sites. The major focal points of the camera eye are young people huddled on the main square, Piazza del Podesta. Fleeting details of their facial expressions, held for an extra second before they vanish, focus on musings about lives of the locals in the year 2000. (Ji.hlava International Documentary Film Festival)
(több)