Tartalmak(1)
Oneida was still a child when she learned the Afro-Colombian tradition of singing “alabados” to accompany the dead on their journey to purgatory. With one leg devoured by a snake, and a war without truce, she became the composer of new songs and made her wounds a source of inspiration. Today, Oneida’s compositions unite to the voice of millions in the reconciliation process of a country with one of the longest wars in history. (Guadalajara International Film Festival)
(több)