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The slow exposition, the placement of the pieces on the chessboard, up to the masterful final double section, which is unmatched in terms of momentum. Great use of Bo and gaining respect for Mando. The attempt to be episodic struggles a bit with the larger story, but it all comes together nicely in the end. And there’s also the great Grogu, already riding on confidence and showing that he made the right choice. Excellent ending!

Man, I used to play Tetris all day. I honestly had no idea it had such a troubled destiny. Baird and co. managed to turn a historical excursion into an incredibly entertaining film. They cleverly adapted the events so that the film doesn't lose pace, and even sneaked in a car chase out of the money saved on ingenious pixel inserts. “Good ideas have no borders.”

Nearly ten years of Wick's revenge for his killed dog and destroyed car have flown by. The huge mythology revolving around the rules and the code of assassins slowly swells, but as glue for fantastic action scenes it is enough. As a result, Keanu Reeves will not be remembered as Neo, but as the "loving husband" of John Wick. The climactic sequences at the Arc de Triomphe and the Osaka Massacre will one day be in the textbooks. The scenes with my favourite nunchucks really put a smile on my face. Donnie Yen relishes Cain to the full, and Reddick's last scene in the film gives me chills. Awesome.

A strong story and top-notch performances, especially Robert De Niro, who gave me chills at times. The awakening of catatonic patients is incredible and shows the effect of chemicals on the human brain in all its nakedness. Zaillian's script does not forget the necessary digressions, the revolutionaries and the romantic subplot that makes the whole story a little more bearable. A brilliant and restrained Robin Williams and a fantastic small role of Peter Stormare. “You talking to me.”

Excellent stuff! The jokes, the visual effects, the twists, everything works to perfection. The smart script and the pinpoint direction of John Francis Daley and Jonathan Goldstein are supported by great performances. The perfect chemistry of the protagonists, comparable to Gunn’s Guardians of the Galaxy, pulls the whole film forward. Chris Pine is great, he truly enjoys his role as a Harper, and in the strongly dramatic sequences he doesn’t leave a single eye dry. Michelle Rodriguez as the female version Conan the Barbarian is having an incredible career comeback. The heists, the exploration, the rescues and the fights are executed with incredible wit and inventiveness. Balfe's music is top-notch. This is something you can count with almost any time, and I am already looking forward to watching it again.

Funny story: I needed to keep my daughter bored until she fell asleep in front of the TV and tried this classic courtroom drama I'd been saving for a long time and hit the jackpot. In both ways. A perfect Nicholson and an energetic Cruise, who in his younger days rolled in dialogue as much as he does now when he jumps out of planes and off cliffs on his motorcycle. A first-rate drama, with terrific Sorkin dialogue, that spawned many followers from JAG to NCIS.

It's got pizzazz, it's fast paced and the visuals work for me. Empty Tokyo looks perfect and grown-up kids who just played games and didn't let their phones out of their hands are dying like on a treadmill. I like the investigative line about who they're playing against. The actors are great. A very well-made project. It borrows some things from Lost, besides the mystery, especially the introductions of some of the characters that show them in the old Tokyo and in a different light than we see them now.

A broth of stress and emotions. Surprising revelation? Owning a restaurant is suicidal, and trying to turn a buffet into a fancy restaurant is tantamount to purgatory. Acting-wise, it’s amazing. The pace is frantic and there’s always something happening. Some liken it to Boiling Point, but Bear is a little more optimistic, though the falls are all the more painful. Really strong.

You could say it's like a Polish version of South Park, but from a time when there wasn't so much politics and it was just straightforward fun. Boner and his partners hunt demons, devils and boogeymen to send them where the sun don't shine. For 200 zlotys without an invoice, 300 with an invoice. There is a lot of drinking, banter and a large vocabulary of great Polish bon mots. The quality is like a seesaw, excellent episodes alternate with weaker ones, but mostly it's worth it.

Packed with ideas, existential musings on death, and amazing action that combines Japanese anime style with video game dynamics without looking bad. Impeccable English voice acting, Banderas and Salma are classics, but the strong English accents of Goldilocks and the Three Bears were a stroke of genius, and Wagner Moura as Death? Yeah! The story drags the cat through a severe personality crisis (“This Is the End” variation of Apocalypse Now in a kid's cartoon?), which makes him a more interesting character than in Shrek. This is the kind of surprise Pixar doesn’t deliver anymore. P.S: The final fight with Death is awesome.