Életrajz
Born in the United States to Jewish Immigrants from Russia, Man Ray is considered a pioneer of the Surrealist movement, with his work spanning painting, sculpture, photography and filmmaking. Disillusioned with traditional art and shaped by the trauma of World War I along with the emergence of a modern media culture, Man Ray and other Dada artists turned to experimentation. Man Ray is perhaps most remembered for his pioneering fashion photography, and camera-less pictures he called ‘Rayographs’, but few are familiar with his work in film. In his silent films, he extended his experimentation with photography to the moving image, playing with chance and light.
Seminci - Semana Internacional de Cine de Valladolid
Rendező
Filmek | |
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2023 |
Return to Reason |
1935 |
Essai de simulation de délire cinématographique |
1924 |
À quoi rêvent les jeunes films |
Dokumentumfilm | |
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1940 |
Juliet |
1938 |
Ady |
1937 |
Course landaise |
La Garoupe |
|
1935 |
L'Atelier du Val de Grâce |
1929 |
Corrida |
Rövid | |
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1938 |
Dance |
Home Movies |
|
1933 |
Poison |
1930 |
Autoportrait ou Ce qui manque à nous tous |
1929 |
Les Mystères du château de Dé |
1928 |
L'étoile de mer |
1926 |
Emak-Bakia |
1923 |
Le Retour à la raison |
Rue Campagne-Première |
Színész
Filmek | |
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1957 |
8 X 8: A Chess Sonata in 8 Movements |
Dokumentumfilm | |
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2020 |
Un été à la Garoupe - a. f. |
2016 |
Viva Dada (Tévéfilm) - a. f. |
2013 |
La casa Emak Bakia - a. f. |
2001 |
A proposito degli effetti speciali - a. f. |
1957 |
The Twentieth Century (sorozat) |
1940 |
Juliet |
1938 |
Ady |
1937 |
La Garoupe |
Rövid | |
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1967 |
Grimaces |
1933 |
Poison |
1930 |
Autoportrait ou Ce qui manque à nous tous |
1924 |
Felvonásköz |
Forgatókönyvíró
Rövid | |
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1938 |
Home Movies |
1926 |
Emak-Bakia |
Operatőr
Rövid | |
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1926 |
Emak-Bakia |
Producer
Rövid | |
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1938 |
Home Movies |
Vágó
Rövid | |
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1938 |
Home Movies |